These three recent installations are very different visually, but they share a subtle thread: each one captures a kind of relationship, whether between figures, forms, or even past and present.
In this warm, layered living room, Dip Dance by Christopher Peter brings instant energy. Created with collaged materials, the silhouetted figures—a man dipping a woman mid-dance—feel joyful and spontaneous. There’s movement, connection, and just enough drama to make it a true focal point above the fireplace. It’s a moment frozen in time, but it still feels alive.
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In contrast, A Beginning No. 22 by Joseph Adolphe offers a quieter pairing. Two origami birds float gently through the air against a soft, painterly landscape. Visible brushstrokes and muted tones give the piece a sense of calm and contemplation—like a deep breath in the middle of the day. It’s peaceful and beautifully at home in this light-filled space.
View more work from Joseph Adolphe
Then there’s Blue George Washington by Hunt Slonem, making a bold statement beside a grand piano. Painted in Slonem’s signature expressionist style, Washington’s portrait is rendered in vibrant blue, with energetic cross-hatching worked into wet paint for rich texture. Familiar and unexpected all at once, the piece balances history with personality and brings a sense of confidence and playfulness to the room.
